Savior Not Made by Hands
Icons
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An image of the Savior Not Made by Hands.
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The center of the icon depicts the cloth with the face of Jesus Christ imprinted on it.
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Two angels holding a cloth depicting Jesus Christ.
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Two angels holding a cloth depicting Jesus Christ.
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In the center of the icon is Jesus Christ depicted against the cloth. In the upper part of the frame is the Golgotha cross, flanked by the figures of the Holy Virgin and John the Baptist. In the corners are the figures of the Evangelists - John, Matthew, Mark and Luke. On the side borders and lower parts of the icon are figures of the Apostles.
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A double-sided tablet icon, with a figure of the Savior not Made by Hands on the front side and the inscription “In Thee Rejoiceth” on the back. A donation from Mrs. Rockfeller.
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The icon depicts the image of Jesus Christ imprinted on the cloth.
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The icon represents the image of Jesus Christ imprinted on the cloth.
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The icon represents an image of Jesus Christ.
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The Savior is portrayed against the sudarium, held by two angels. A clearly outlined image of the Savior is strongly narrowed downwards, making it look oval. The hair is divided on either side into three long strands. Pink ochre, the background is covered with liquid ochre.
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The icon portraying Our Lady of Vladimir is placed inside a folding two-leaf triptych with a keeled finial. The upper part of the leaves depicts the Annunciation scene. The remaining images on the folding icon represent a sort of Deesis tier. The finial depicts an image of the Savior Not Made by Hands with the attending Mother of God and John the Baptist. On the leaves are the images of the Murom saints – princes Constantine, Michael and Feodor, Peter and Fevronia. One may suggest from these images that the folding icon was created in Murom or other town, but at the commission from a citizen of Murom. Notably, the Murom princes, in breach of the traditional hierarchy of the Deesis tier are portrayed right after the Apostles Peter and Paul and before the ecumenical and Russian saints. The left leaf represents three Russian saints – Basil the Great, George the Theologian and John the Chrysostom. The symmetrical images of Sts. Peter, Alexis and Jonah represent the traditional, for the late Middle Ages, likening of the three Muscovite Metropolitans to the three ecumenical saints.
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The icon depicts the Vernicle Image of the Saviour.
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The icon is divided into three segments. In its upper tier is Resurrection and the Mother of God of Kazan, and in the lower –are the chosen saints.
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The face of Christ inside a crossed halo occupies almost the entire board surface. Except the bottom edge, the halo adjoins the icon borders. Christ’s big eyes are looking leftward, his eyebrows are raised. The hair is wavy and brown, hair locks are highlighted in black and golden lines, terminating in two pugs on either side of the face. The beard and mustaches are drawn in thin black lines. The painting is noted for dominant dark golden ochre colors.
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The central part of the icon depicts a sudarium with the face of Jesus Christ impressed on it.
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Savior Not Made by Hands, with festivals and the Miracle of Florus and Laurus
In the center is an image the Savior Not Made by Hands occupies the entire. Border scenes: -
Assumption of the Mother of God / Savior Not Made by Hands (A double-sided tablet icon)
A double-sided tablet icon depicting The Assumption of the Mother of God on the one side and the The Savior Not Made by Hands on the other. -
Savior Not Made by Hands. Christ in the Tomb (“Do not mourn Me, Mother”)
Half of the corpus of the Savior is in the tomb, His head is slightly inclined, eyes are closed, hands are out across each other.
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Depiction of the face of Jesus Christ on the cloth.
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Savior Not Made by Hands, Chris in the Tomb
This iconographic variant includes two depictions of Christ, dead – from the “Crucifxion” and Christ Who – in “Savior Not Made by Hands”.